Invitation
Polymer print, 6” x 4”, 2020
Invitation
Polymer print, 6” x 4”, 2020
Untitled (Vacant House)
56” x 37.5”, Oil on wooden table-top, 2019
Detail of Untitled (Vacant House)
56” x 37.5”, Oil on wooden table-top, 2019
Untitled (Lia with Polka Dots)
20” x 16”, Oil on Paper, 2019
Untitled (Stripes)
20” x 16”, Oil on Paper, 2019
Lia
18” x 13” x 2.5”, Oil on silver-plated platter, 2019
Bride
14.5” x 14.5” x 1”, Oil on silver-plated platter, 2019
Laura
10.25” x 6.5” x 2”, Oil on silver-plated platter, 2019
The Tailor’s Daughter
6" x 4.5" x 0.5", Hand-bound accordion book with original poetry, calligraphy and monotype prints, 2019
The Tailor’s Daughter
6" x 4.5" x 0.5", Hand-bound accordion book with original poetry, calligraphy and monotype prints, 2019
Lock
16.5” x 11.75”, Graphite on paper, 2021
Snake
16.5” x 11.75”, Graphite on paper, 2021
Ladder
16.5” x 11.75”, Graphite on paper, 2021
“And The Roof Caved In Sympathetically” considers the comforting and simultaneously suffocating qualities of the home and studies it as an expression of the subconscious. What would our mirrors capture if they had the ability to take a photograph? What would our tables and chairs absorb if they had a capacity for memory? In my world, the house and its inhabitants form a poetic, yet disturbing bond where the walls of our homes are conscious, and our furniture, sympathetic. My pieces become the evidence of a specific event, the results of a psychological crime scene.